El Señor del Tango, as he was named, didn’t permit anyone to film him at the piano. When someone approached, he stopped playing. He died in 1960 at the age of 57 with his artistic secrets.
In 1981, a group of musicians decided to form an orquesta playing the Di Sarli style. They became Gente de Tango. They were faced with the daunting task of notating the complete scores of Di Sarli arrangements which never existed on paper. All Di Sarli’s arrangements were created in daily rehearsals. The scores had to be recreated by listening to the recordings.
I first met the amateur musicians of Gente de Tango in 2005 at a rehearsal in Villa Devoto. I refer to them as amateurs because most of them pursued
careers in something other than music. Like Carlos Di Sarli, Guillermo Durante directs the orquesta from the piano. He is the master of the Di Sarli style. It occurred to me recently that I should film Guillermo at the piano during a performance.
Orquesta Tipica Gente de Tango performed at Nuevo Salón La Argentina, and I was there to record Guillermo’s hands at the piano. The salón has a grand piano on stage, and I was able to film from the left side of the keyboard. It was the first time I watched him as he played Porteño y Bailarin, El Amanacer, Verdemar, A la gran muñeca, and Milonguero viejo. Guillermo couldn’t understand why I wanted to film him. It didn’t take much imagination to feel as if I was watching Carlos Di Sarli himself at the piano while filming Guillermo. It was moving to say the least.
Guillermo Durante has already passed the age at which Di Sarli died. He should be sharing his expertise with young pianists so that future generations of musicians will continue to recreate the Di Sarli style for dancing. We always will have the recordings of Di Sarli, but a live performance is very special.
If Piazzolla’s music comes on the radio, I turn it off or change the station. I would never go out of my way to hear it. It came as a complete surprise when I found myself at a concert this week where most of the program was Piazzolla. Walter Rios was celebrating 60 years in music with a concert at Teatro Presidente Alvear. I had heard him last month for Dia del Bandoneon in La Trastienda when he performed with other bandoneonists. I assumed that he would be performing tango at his anniversary concert. The ensemble consisted of piano, string bass, guitar, percussion, synthesizer, cello and violin. There is no need for lighting design and fog for an orquesta tipica, but this Piazzolla show had both. I saw the piano played as never before–the keys were slapped and the keyboard cover was tapped to provide effects. It was interesting to say the least. I don’t usually leave a concert uninspired by the performance.